Album of the Week 32-2014: Versailles – Jubilee


‘Jubilee’ marked the end of a tempestuous period for Versailles, both positively and negatively. The band had just signed with a major label and the difference is immediately noticeable sonically, but on the other hand, there was the untimely death of their original bass player Jasmine You during the recordings, effectively making this Jasmine’s final appearance with the band. It’s also the band’s best effort to date and their last fantastic album. While its follow-ups would both contain a number of good songs, ‘Jubilee’ is the band’s apex in terms of songwriting, intensity, execution and overall consistency.

Versailles was part of the Japanese Visual Kei scene, as is fairly obvious straight away when you see of their band photos or hear Kamijo’s slightly too melodramatic vocal delivery. Musically, they were one of the most interesting bands of the movement, combining a fundament of highly symphonic Power Metal with overtones of Progmetal and J-Rock and a strong dose of theatrics. And where I feel the band lost a lot of their edge on the following records, ‘Jubilee’ still has the right amount of aggression – especially in the riffing department – and intensity to appeal to the headbanging crowd.

A lot of Japanese music is very vocal based. The production and mix on ‘Jubilee’ – or any other Versailles album for that matter – emphasizes that as well. However, for me, it’s the rest of the band that makes this record. Hizaki and Teru are geniuses in composing riffs as well as executing brilliant guitar solos, many of them neoclasically tinged, and Yuki is easily the best Japanese drummer I have heard so far due to his creative approach to Power Metal drumming. And the power he displays is just delightful. Just listen to how he gives the awesome riffs in ‘月下香‘ (‘Gekkakou’ when romanized) their last push into aggressive territories and you’ll get what I mean.

Though the album is best listened to in its entirity, there are definitely some standout moments. My favorite song on the album is probably ‘愛と哀しみのノクターン‘ (romanized: ‘Ai To Kanashimi No Nocturne’) due to its perfect blend of melody and aggresive guitar power. Yuki’s drumming is once again spectacular and the little twin guitar riffs between verses are guaranteed to bring me to Metal bliss. ‘Catharsis’, opening track ‘God Palace – Method Of Inheritance-‘, single ‘Ascendead Master’ and ‘Princess -Revival Of Church-‘ are fantastic epic Power Metal tracks, while the lighter ‘Amorphous’ highlights the band’s more Pop oriented side surprisingly well.

Every fan of Japanese music should give this album at least one spin, but due to their heavy reliance on European Power Metal influences, ‘Jubilee’ may also be very appealing to melodic Metal crowds that are traditionally less likely to turn to any band from the Visual Kei scene. The fact of the matter is that Versailles is one of the very few latter day bands of the movement that actually made the music come before the visuals, despite obviously putting quite some effort into them. Both in composition and in execution, this is some of the best Power Metal released in this century, only outdone later by Jupiter, which features three members who can be heard on this album.

Recommended tracks:愛と哀しみのノクターン‘, ‘Ascendead Master’, ‘Princess -Revival Of Church-‘, ‘月下香

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