Album of the Week 41-2014: Sanctuary – The Year The Sun Died


Nevermore’s breakup – or hiatus, whatever you choose to believe – was terrible news for yours truly. Nevermore’s unique blend of crushingly heavy riffs, compositional complexity, Warrel Dane’s incredible clean vocals and a sense of melody that seems to be forbidden in contemporary Metal made them one of the best bands on the planet. Luckily, Dane and bassist Jim Sheppard also reformed Sanctuary, the band that put them on the radar in the late eighties, around the same time. With most of its original lineup intact even. ‘The Year The Sun Died’, their first recording after the reunion, is a downright fantastic record which sounds a lot like Nevermore.

Obviously, Dane’s typical voice would push anything he sings on into Nevermore territory, but Lenny Rutlege’s riffs sound surprisingly similar to those Jeff Loomis wrote for Nevermore. In all honesty though, the album’s predecessor ‘Into The Mirror Black’ – released a quarter of a century ago! – would have sounded quite a lot like this if it also had such a contemporary production with such a punchy low end. The lead work by Rutledge and the band’s only new addition, Forced Entry guitarist Brad Hull, has a distinctly more old school vibe than Loomis’ and the progressive sections have a hint of the early work of fellow Seattleites Queensrÿche, but any fan of Nevermore should get some satisfaction from this.

‘The Year The Sun Died’ seems to be a concept album about the fall of a civilization, which prove to be one of Dane’s favorite lyrical subjects through the years. The imagery fits the dark sound of the music really well. Most of the songs are built around powerful half-Thrash riffing in the intros and verses and wide chords topped off with strong vocal melodies in the choruses. The acoustic based ‘I Am Low’ and ‘One Final Day (Sworn To Believe)’ stray from that formula a little, with the latter being one of those sinister sounding semi-ballads that Sanctuary traditionally excels at.

With this being a concept album, it is best listened to in its entirity. Yet there are a few standout tracks. ‘Frozen’ has it’s killer, relatively uptempo riffs and Dane harmonizing with himself in the immense chorus, ‘Question Existence Fading’ is one of the most violent tracks on the album rhythmically (hats off to Dave Budbill’s drumming) and has another big, ominous chorus, while the title track is the doomy, pitch black closing statement that the album requires. That atmosphere is nigh impossible to reach. Just brilliant.

Fans of Nevermore can buy ‘The Year The Sun Died’ blindly and the only old school Sanctuary fans that may want to listen first are the ones who might expect another feast of falsetto mayhem and uptempo riffing akin to the band’s debut album ‘Refuge Denied’. Those who end up buying this would do wise by getting the limited edition, because of the awesome cover of ‘Waiting For The Sun’, one of the highlights of The Doors’ discography. It fits the band’s own material nicely, and not only because of its title. This is a release that will definitely end up extremely high on my end-of-year list. Why? Because it’s a god damn masterpiece, that’s why!

Recommended tracks: ‘The Year The Sun Died’, ‘Frozen’, ‘Question Existence Fading’

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