Album of the Week 02-2015: Jupiter – The History Of Genesis


Jupiter’s debut ‘Classical Element’ was responsible for making me fall in love with Power Metal all over again. Their intense riffs, keen ear for melody, guitar histrionics and amazingly written songs awakened a Power Metal euphoria I haven’t felt since my adolescent years. As a result, ‘The History Of Genesis’ was the first 2015 album I anticipated immensely. And not without reason; ‘The History Of Genesis’ is the definitive proof that Jupiter can stand on its own merits, regardless of the Versailles history of the majority of its band members. A strong album that combines the beauty of Jupiter’s melodies with the aggression of some of their riff work.

If ‘Classical Element’ showed a band finding its comfort zone, ‘The History Of Genesis’ has the band exploring and pushing their own boundaries. The opening salvo of the upbeat ‘The Birth Of Venus’ and the Power Metal supreme of ‘Last Moment’ may suggest we’re dealing with an album that follows the trend of its predecessor, but there have been some significant changes. The aggressive side of the band has gotten a little more room, most evidently in the vocal work of Zin, who is heard equipping his competent grunt and some rawer clean approaches more often this time, resulting in the awesome melodic Death Metal of ‘Darkness’ and bonus track ‘Sacred Altar’. The main focus is still his beautiful cleans though.

Also, the band seems to switch back and forth between these extremes within single songs a little more this time. Upon first listen, that may cause some of the songs to seem a little chaotic. If not downright messy, as with ‘B.L.A.S.T.’, which turns out to be a thoroughly enjoyable Speed Metal song with a catchy chorus in the end. Another example is the closing title track, which contains surprisingly little repetition for an epic Metal track. I would have loved to hear some of these goosebumps inducing riffs more often, but that may very well be what makes them so powerful in the first place.

When considering the ethereal instrumental ‘Church Candle’ the intermission of the album, I slightly prefer the second act, starting with the back-to-back highlights ‘Red Carnation’ and ‘Zetsubou Labyrinth’. The former is a Zin composition with an amazing chorus reminiscent of Rhapsody’s best work and the latter is just unbelievable. The amazing dramatic guitar intro makes way for an almost Thrashy verse, a more melodic chorus and a mindblowing guitar battle between Hizaki and Teru. It has to be heard to believed. Speaking of lead guitars, they’re all over the place. The awesome ‘Arcadia’ even has both men playing distinctly different solos simultaneously.

Even both ballads are amazing. With Jupiter being a guitar driven band first and foremost – the classical element (pun intended) is limited to coloring the songs and the occasional lead violin – they are a lot less sappy and dragging than what can be expected from a Visual Kei or J-Rock band. ‘The Moon’ may seem a bit weird because of its jazzy interplay between the piano, guitars and Masashi’s bass near the end, but is pretty good, while the somewhat progressive ‘Luminous’ is an amazing track likely to please people who loved ‘Nostalgie’ from the previous album (I’m looking at you, fellow blogger Arria Cross!). The more standard, upbeat J-Rock sound is represented by ‘Shining’ and the fantastic ‘Koori No Naka No Shoujo’. The latter seems less positive lyrically though.

Since ‘The History Of Genesis’ finds Jupiter branching out from their symphonic Power Metal roots a little, the results are a little less consistent than their debut, but the album once again makes my Power Metal heart beat a little faster. It’s beyond me why they didn’t choose to include the best song from the singles preceding this album (‘Azalea’), but then again, the album is packed with amazing material already. I’d be surprised if anyone releases a better Power Metal record this year, but if someone does, it will be a great year for the genre.

Recommended tracks: ‘Zetsubou Labyrinth’, ‘Red Carnation’, ‘Last Moment’

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  1. January 31st, 2015

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