My Eurovision predictions for tomorrow


Another year, another Eurovision. For those of you who don’t live in Europe or Australia: the Eurovision Song Contest is an annual, widely broadcasted festival to which countries submit three minute Pop songs to compete with each other. There are results of varying degrees of quality, hilarity and entertainment value.
Those of you who have visited my weblog for longer than two years know that my full report will follow the day after the actual Contest, but based on what I have seen in the semi-finals and the video clips, I can share the following predictions with you.

This year’s Contest will be won by a male-female singing duo. My guess would be Norway’s Mørland and Debrah Scarlett, but I’m hoping for Estonia’s Elina Born & Stig Rästa. Czech Republic’s Marta Jandová and Václav Noid Bárta – by far the best male singer of this year – were favorites as well, but they were sadly voted out.

Nina Sublatti’s ‘Warrior’ – a Destiny’s Child-like female empowerment anthem – will give Georgia their highest ranking ever. More specifically, that would mean somewhere between positions 1 and 8.

Wheelchair bound singer Monika Kuszyńska from Poland will gather a lot of sympathy votes with her ‘In The Name Of Love’. Whoever directed that performance did so brilliantly, showing images of when Kuszyńska was still able to walk. That doesn’t in any way attack her song, which is actually quite a decent power ballad.

None of the so called “Big Five” will end up in the top 10. Italy’s ‘Grande Amore’ will be the highest ranking track out of the five.

Australia’s Guy Sebastian will receive much more sympathy votes than he deserves with his middle of the road Pop song ‘Tonight Again’ simply because this is the first time they are actually taking part.

Not much of a prediction, rather a “post-diction”: whoever voted Portugal’s Leonor Andrade and her ‘Há Um Mar Que Nos Separa’ out is an idiot.

Always risky, but my guesses for the top 5, in no particular order: Norway, Greece, Russia, Sweden and Latvia. That doesn’t necessarily mean I agree with that, though Maria Elena Kyriakou’s ‘One Last Breath’ (Greece) is Eurovision gold.

Serbia’s Bojana Stamenov will finish just outside the top 5, even though it doesn’t quite deserve that spot. Let’s just say the mediocre song does have some elements a majority of the Eurovision crowd can relate to.

I am very curious to see how much of this will actually turn out to be true.

Just to round things off, I’d like to share with you what we’re missing out on now that Portugal is out of the race. Leonor Andrade’s voice mixes the power and passion of the Portuguese Fado tradition with more conventional Pop melodies and her performances has some sort of beautiful anger boiling beneath the surface. The song sounds a little like Journey minus the guitar histrionics. The modulation in the last chorus is a little cheap, but apart from that, it’s a shame this didn’t make it to the finals.

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