In Memoriam Prince 1958-2016


Call him weird. Call him an enigma. Call him a show-off. You’re probably right. But let’s never forget that Prince was first and foremost a musical genius who consistently refused to aknowledge the presence of genre boundaries in music. The announcement of his death came as a shock to me. Not only because have been a big fan of his work for ages, but also because I had no idea his health issues were so bad. He was rushed to the hospital in the middle of a tour last week, but he was back home and everything seemed to be alright. However, it was that home – Paisley Park, of course – where he was found dead at age 57.

I had the pleasure of seeing “the purple one” live when he closed the second night of the North Sea Jazz festival in 2011. It was an extremely hectic night as I was still fronting Chaos Asylum at the time and we had a gig before the show, but I’m still so glad I went. The Prince I saw there wasn’t Prince the Pop phenomenon or Prince the hit machine, but the musician Prince. Exactly the side of him that I admire so much. With a passion, he and his excellent band worked through a set of Jazz, Funk, Soul and even a little Hardrock. And whatever amazing song I missed that night – ‘Controversy’ first and foremost – I had a chance to see two weeks later at the same venue.

There’s so much to admire about Prince that I don’t even know where to start. Maybe his guitar playing, because I still think he doesn’t get enough credit for his amazing skills. He blends Hendrix’ intuitive Blues feel with Santana’s sultry tone and soulful melodicism, while adding his own awesome choppy, syncopated funk and the occasional shred moment to the mix. There’s not one player in the world who sounds like him sonically or stylistically and that to me is the mark of a great guitarist.

But he’s a fantastic composer as well. He’s made futuristic Funk (‘Controversy’), psychedelic Bluesrock (‘Colonized Mind’), relaxed Jazz (most of ‘The Rainbow Children’), excellent power ballads (‘Gold’), Hardrock (‘Peach’), his trademark light Funk (‘Dear Mr. Man’), T-Rex-ish Rock ‘n’ Roll (‘Cream’) and the perfect Pop song (‘Little Red Corvette’). And I’m probably forgetting a whole lot more here, but so much of his work is simply uncategorizable. What, for instance, is ‘When Doves Cry’? I wouldn’t know either, but it’s excellent without any shade of a doubt.

While Prince’s work is never too far away from my CD player – litterally actually; it’s right above it – I think this is a good time to pay tribute by playing even more of his work. There’s so much great material that he has made through the years. From the heavily bootlegged, yet never officially released Funk Bible that is ‘The Black Album’ to the Hardrock splendor of ‘PlectrumElectrum’ that he recorded with his all-female backing group 3rdEyeGirl… This stuff needs to be heard. It’s just a pity that nothing more will ever be made. I will be looking forward to the release of ‘HitnRun Phase Two’ next week though…

Prince Rogers Nelson, I’ve stood up to defend your musical qualities numerous times through the years and I will continue to do so. Your contributions to Pop music will be sorely missed.

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