Album of the Week 04-2017: Navarone – Oscillation


When you listen to ‘Oscillation’ for the first time, you’ll immediately notice something has changed. The music is still instantly recognizable as Navarone; the big, beefy hardrock riffs are still there and Merijn van Haren’s magnificent voice hasn’t lost any of its force, but in terms of production, ‘Oscillation’ is a whole different beast than its two predecessors. As a result, the separate songs sound a little more streamlined, but the scope and variation that made Navarone’s previous records so great are also still here. And so, this fresh record proves that a rock band can expand upon its style without sacrificing its excitement and energy.

In a way, ‘Oscillation’ sounds a little more modern than what the quintet has done before. Navarone always found a nice balance between the relative complexity and riffiness of seventies rock and the directness of nineties rock. This time, some more contemporary influences have been brought to the table. The delightfully catchy ‘Soon I’ll Be Home’ has a very modern, poppy rock vibe, while opening track ‘Snake’ brings some of the stoner rock influences that were always beneath the surface front and center. The climax of the latter also sounds like nothing the band has ever done before, but it’s incredibly powerful.

On a more superficial level, ‘Oscillation’ is a typical Navarone record in the way it moves back and forth between powerful rock tracks and strong ballads with remarkable ease. The former category has the awesome ‘Step By Step’, probably the most “typical” Navarone song on the record, and the relentlessly pounding ‘Lonely Nights’, which is likely the heaviest track the band has recorded yet. ‘Free Together’, ‘Unmistakably Everything’ and closing track ‘Don’t Belong’ are all beautiful, delicate ballads with more acoustic work than the band has yet used and a more interesting approach than the well-known calm verse, big chorus contrast, which truly enhances the songs.

But most notable are the songs that don’t fit either category. The atmospheric ‘Chrome’ has an acoustic fundament, but is hardly a ballad. Progressive acoustic rock? Maybe. The song works its way through several distinctive movements that shouldn’t work together, but miraculously do. ‘Shadow’ is a little darker and has a psychedelic middle section somewhat reminiscent of ‘Sage’ from the debut album. However, the real winner here is the mindblowing ‘Days Of Yore’. From its monumental opening riff to Kees Lewiszong’s amazing blues solo, the song is a masterpiece that brings to mind Led Zeppelin’s ‘Tea For One’. The verses are very minimalistic, but serve as a perfect vehicle for Van Haren’s incredible voice. This is a song that needs to be heard to be believed.

The cliché is that when rock bands mature, their sound becomes calmer and more interesting. ‘Oscillation’ proves that this doesn’t have to be the case. In fact, Navarone seems to have been exploring the extremes of their sound here, which makes the record heavier, more progressive, more melodic and more accessible all at the same time. It may need a little more time to sink in than the band’s previous two records, but once it does, you’ll realize that they have made another masterpiece. Their third in a row. And if that’s not impressive, I don’t know what is.

Recommended tracks: ‘Days Of Yore’, ‘Soon I’ll Be Home’, ‘Lonely Nights’

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