Album of the Week 50-2017: Adagio – Life


Adagio has always been a band I should love, but didn’t. Kevin Codfert’s orchestrations are amazing, Stéphan Forté is one of the few highly skilled guitarists that found a middle ground between virtuosity and melodicism and none of their past singers was worse than good. Yet, something was missing for me. Initially, this was the case with their new album ‘Life’ – their first in no less than eight years – as well. Forté’s djenty rhythm guitar that occasionally pops up was a bit of a turn-off for me. And yet, ‘Life’ has slowly grown to be one of my favorite albums of the year.

Part of the reason for my returning interest was the presence of singer Kelly Sundown Carpenter, whose huge, raw-edged range never ceases to amaze me. Still, this may just be his best performance yet. His voice is extremely spirited and he frequently reminds me of late Gotthard frontman Steve Lee in his best days. Even a great vocal performance would not be relevant if the songs aren’t any good though and luckily, the French band succeeded at writing a highly dynamic and pleasantly polished record, on which Forté’s violent riffs and Codfert’s orchestral grandeur are constantly in perfect balance.

One of the most notable differences with the band’s past is that the tempo of the songs on ‘Life’ is considerably lower. And while an album full of mid-tempo songs may sound discouraging to the power metal audience: don’t let it. The subdued tempo of the songs allows Carpenter’s vocals and the ethnic, often Middle-Eastern flavor of the orchestrations to flourish, resulting in bombastic masterpieces, such as the cinematic ‘Subrahmanya’, more traditionally progressive moments such as ‘The Grand Spirit Voyage’ and ‘The Ladder’ and the massive, epic grandiosity of the lengthy opener that carries the same title as the album.

Remarkably, Adagio chose to place the more accessible material on the latter half of the album. That was probably beneficial to the album, as it has a very pleasant flow. Songs like the dramatic ‘I’ll Possess You’ and ‘Secluded Within Myself’ and the almost uptempo, yet equally dark closer ‘Torn’ are no less good than the songs opening the album though. The only near-miss is the ballad ‘Trippin’ Away’. The first half of the song and the performances by both Forté and Carpenter are too good to completely dismiss it, but while I don’t doubt Forté’s sincerity, the lyrics of this love song are too mawkish and awkward to enjoy.

The rest of the album is really good at worst and downright incredible at best. On ‘Life’, Adagio shows that it is perfectly possible to have everyone playing on top of their game without actually getting in the way of the music and that in itself already makes the album a great success. For me, this is the first time Adagio really profits from all the qualities within the band. And that has resulted in quite a unique sound; I have never heard these elements combined in a way even remotely close to how ‘Life’ sounds. A must for fans of progressive or orchestral metal.

Recommended tracks: ‘Subrahmanya’, ‘Torn’, ‘Life’

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  1. Hi Agonymph, because I couldn’t find your e-mail or anything, I’ll ask here if you’d be interested in reviewing a recently released proggy thrash metal release by the Estonian band Tankist? Full unlimited stream with lyrics and all credits is available at tankist.bandcamp.com/album/unhuman and the album on the Metal Archives is here: http://www.metal-archives.com/albums/Tankist/Unhuman/672616

    • Hello Rainer,
      Thanks for stopping by and reminding me that I need to integrate a contact form into my weblog haha!
      Proggy thrash metal sounds like it is right up my alley, so I will certainly give it a listen. Thanks for your recommendation!
      Cheers,
      Kevin

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