Album of the Week 04-2018: Loudness – Rise To Glory


There was a time when a new Loudness album was something I was passionately looking forward to. With the previous album ‘The Sun Will Rise Again’ being quite lackluster, this was not necessarily the case with ‘Rise To Glory’, but the results of the latter seem to point out that its predecessor was an accidental misstep. ‘Rise To Glory’ is the most spontaneous and traditional sounding Loudness album in a long time. While the Pantera-ish contemporary leanings have not disappeared entirely, the second half of the album in particular is very likely to please fans of what Loudness did in the eighties.

My main criticisms of ‘The Sun Will Rise Again’ were aimed at the predictable and tired songwriting. It seemed like the band was running on autopilot at the time. That certainly is not the case on ‘Rise To Glory’. There are definitely more than two types of riffs in the arsenal of guitar wizard Akira Takasaki this time around. The stomping modern metal riffs have largely been replaced by old school hard rock and tradtional heavy metal riffs and there is even some acoustic guitar work on the record. This increase in dynamics is one of the album’s greatest assets.

Variation is also greater than before in the tempo department. Recent Loudness albums tend to contain two or three faster songs and a large number of modern midtempo tracks. Though ‘Rise To Glory’ is not filled with speed monsters – ‘Massive Tornado’ and the more melodic ‘I’m Still Alive’ have obviously been designed as such – there is a lot more material in the faster end of the midtempo spectrum to be heard here. The title track, with its classic speed metal main riff, is one of the best examples of this, as is the galloping album highlight ‘Why And For Whom’.

While Takasaki is always riffing creatively and soloing impressively and bassist Masayoshi Yamashita is more present than he has been in a while, Minoru Niihara’s deteriorating vocals were a factor that dragged ‘The Sun Will Rise Again’ down. Although his voice is still a clear victim of aging here, he actually sounds surprisingly good on the album’s two semi-ballads ‘The Voice’ and ‘Rain’, the latter an atmospheric, almost doomy track that I feel Takasaki had been wanting to write for ages. The latter could also be true for the somewhat psychedelic ‘Kama Sutra’, which would not have sounded out of place on ‘Heavy Metal Hippies’, but somehow also doesn’t here.

Sure, people who are no fans of the genre could criticize songs like ‘No Limit’, the upbeat opener ‘Soul On Fire’ and the midtempo stomper ‘Go For Broke’ for being old man’s metal or more of the same, but the fact of the matter is that Loudness is really good at this creative take on traditional heavy metal. Apart from Niihara’s voice, nothing on ‘Rise To Glory’ seems to signal that Loudness’ members – except for drummer Masayuki Suzuki, who is in his mid-forties – are approaching sixty. In fact, ‘Rise To Glory’ is the first post-reunion Loudness album of which I can safely say that fans of the band’s classic material can blindly buy it.

Recommended tracks: ‘Why And For Whom’, ‘Rise To Glory’, ‘Rain’

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