Album of the Week 11-2018: Buck-Tick – No. 0


With Buck-Tick on a surprisingly high second career peak from their 2005 masterpiece ‘Jusankai Wa Gekkou’ onward, a new album is always something to look forward to. Especially considering how good 2016’s ‘Atom Miraiha No. 9’ was. And while ‘No. 0’ isn’t quite as good as its predecessor was, there are a couple of new winners in Buck-Tick’s oeuvre to be heard here. The gothic-tinged first single ‘Babel’ is one of them, but ‘No. 0’ is anything but a return to the dark goth sound of ‘Jusankai Wa Gekkou’. Instead, it feels either like a logical continuation or an update of ‘Atom Miraiha No. 9’.

Compared to ‘Atom Miraiha No. 9’, the electronics and samples are a little more pronounced on ‘No. 0’. They are nowhere near as prominent as they were on Buck-Tick’s nineties albums, on which they tend to dominate the productions, but those looking for more of the live sound that could be heard on albums like ‘Tenshi No Revolver’ or ‘Memento Mori’ may scratch their heads in bewilderment. These days, the electronics are a part of the songwriting process rather than the production process and as a result, they hardly ever become overbearing. The electronic rocker ‘Gustave’ and the ballad ‘Moon Sayonara Wo Oshiete’ are borderline though.

‘No. 0’ has a couple of notable peaks. First of all, there is the triptych of the exciting electrorocker ‘Salome -femme fatale-‘, the beautifully dramatic ‘Ophelia’ and the driving “live Buck-Tick meets electronic Buck-Tick” of ‘Hikari No Teikoku’. The latter has a wonderful chorus opening up the climax of the track, while ‘Ophelia’ really profits from its supreme dynamics and Atsushi Sakurai’s unique emotional vocals. The album ends on a high note as well: the aforementioned ‘Babel’ is a sublime catchy gothic rock song, ‘Guernica No Yoru’ a gorgeous minimalistic ballad that leaves Sakurai plenty of space to excel and ‘Tainai Kaiki’ rounds off the album in an upbeat atmosphere.

Before, after and between those songs, Buck-Tick explores the possibilities of their sound. Guitarist and electronic enthusiast Hisashi Imai first and foremost. The aggressive cyberpunk sound of ‘Igniter’ is an obvious Imai contribution, while ‘Nostalgia -Vita Mechanicalis-‘ and opener ‘Reishiki 13 Gata Ai’ have a menacing vibe that is the trademark of the guitarist. ‘Bisshu Love’ features the type of defiant eroticism that Buck-Tick has become known for through the years. By contrast, the songs that guitarist Hidehiko Hoshino wrote are generally more traditional rock songs, though the synth-driven electronic rocker ‘Barairo Jujidan -Rosen Kreuzer-‘ is atypical for him.

Though Imai’s fascination with noise and electronics gives ‘No. 0’ a slightly more electronic edge than its predecessors, it is another typical Buck-Tick album compositionally. The songs may come across a little more chaotic than usual initially, but they feature some tight writing and some excellent hooks for Sakurai to work with. I will be the first to admit that his deep, heartfelt voice is one of the main reasons why Buck-Tick appeals to me, but they have been releasing great albums for quite some time now and ‘No. 0’ certainly fits that pattern. Highly recommended to open-minded fans of visual kei, J-rock, gothic rock and nineties U2.

Recommended tracks: ‘Babel’, ‘Ophelia’, ‘Salome -femme fatale-‘

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