Album of the Week 33-2018: Fates Warning – Darkness In A Different Light


Prolific is a thing Fates Warning has not been for a while. At the time of its release, ‘Darkness In A Different Light’ was only the fifth Fates Warning album 22 years and their first in almost a decade. Maybe they needed the time to recharge their batteries, because it is easily their best in a long time. While no Fates Warning album is ever less than decent, much of the material released prior to ‘Darkness In A Different Light’ lacked either assertion (‘FWX’) or melodic content (‘Disconnected’). However, this album restores the balance that is so essential for progressive metal.

Stylistically, ‘Darkness In A Different Light’ is not too far removed from ‘Sympathetic Resonance’, the album guitarist Jim Matheos recorded with original singer John Arch. The riff work is heavy, but there is an abundance of melodic and atmospheric touches to give the material depth and lasting power. The biggest difference between the two albums is defined by singer Ray Alder, who has a much darker and more emotional tone than Arch. And while his range has not aged perfectly, the emotional impact of his delivery is impressive, resulting in what is arguably his best singing since the rather vocal-centric ‘Parallels’.

While ‘Darkness In A Different Light’ is no stylistic detour – it basically blends the heavy punch of ‘Disconnected’ with the melancholic melodicism of ‘Parallels’ – something feels fresh and more metallic about the album. My suspicion is that switching drummers had some influence on that. Mark Zonder’s skills are unquestionable, but he also has a tendency to overplay. Bobby Jarzombek is every bit as technical, but understands that even in its most complex form, heavy metal should be driven and energetic. The return of longtime guitarist Frank Aresti can also be felt in the lead guitar department, though it is still pretty much Matheos’ album.

At its best, ‘Darkness In A Different Light’ can certainly be compared favorably to Fates’ classic material. ‘Firefly’ is a gorgeous song that blends crushing riffing with a fantastic chorus, while ‘And Yet It Moves’ closes the album in a particularly epic fashion. It forsakes the suite-like nature of many long progmetal tracks in favor of a more song-oriented approach to the point where I didn’t realize I was listening to a 14 minute song until the acoustic part before the finale reared its head. The darkly brooding ‘Lighthouse’ is one of the most brilliantly atmospheric tracks in the band’s discography.

If there is anything to criticize about ‘Darkness In A Different Light’ is that it takes a slightly too obvious cue from bands that commenced their activities after Fates Warning did at times. The influence of Porcupine Tree pops up every now and then and ‘Kneel And Obey’ has a distinct Alice In Chains vibe. That is hardly an issue that ruins the listening pleasure of the album though, as it easily is one of the better progressive metal albums in recent years. Fates themselves would eventually outdo it with the slightly more consistent ‘Theories Of Flight’ three years later, but fans of intricate, yet heavy and melodically strong music should enjoy this immensely.

Recommended tracks: ‘Firefly’, ‘And Yet It Moves’, ‘Lighthouse’

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