Album of the Week 46-2018: Aria – Proklyatiye Morey


Aria was Russia’s first big heavy metal band and still the country’s best. In fact, the band has been experiencing a second youth in recent years, despite a majority of its members being around sixty years old. Bassist Vitaly Dubinin and founding guitarist Vladimir Holstinin have never stopped writing excellent material and with the best Aria singer to date in the shape of Mikhail Zhitnyakov at their disposal, their exciting, often dramatic heavy metal songs are pushed as close to perfection as it gets. ‘Proklyatiye Morey’ is no different, though it does feature Aria treading surprisingly progressive waters at times.

First things first: ‘Gonka Za Slavoy’ is probably the best opening track on any 2018 heavy metal release. With eighties heavy metal oozing out of every pore of the song, from its gorgeous twin guitar intro riff to its uplifting chorus carried by Zhitnyakov’s powerful tenor, the song sends chills down my spine I have not felt since Accept’s ‘Hung, Drawn And Quartered’ six and a half years ago. Sure, Aria has a history of fantastic openers, but ‘Gonka Za Slavoy’ certainly compares favorably to earlier masterpieces like ‘Proshay, Norfolk!’ and ‘Cherny Kvadrat’. Simply the perfect way to open the album.

The rest of the album follows a pattern similar to Iron Maiden’s latter day works. There’s a few shorter, punchy songs alternated with some longer, more progressive tracks. Aria’s songwriting is more consistent, however, and ‘Proklyatiye Morey’ definitely has a better sense of dynamics. Despite lasting an hour and fifteen minutes, the record hardly ever feels that long, because the band never forgets to insert memorable hooks into even the longest songs. In addition, the more concise songs like ‘Era Lucifera’ and the excellent ‘Vsho Nachinaetsya Tam, Gde Konchaetsya Noch’ bristle with strong, catchy melodies and spirited performances.

Picking highlights is difficult, but the nine minute ‘Zhivoy’ is amazing. It starts out like an epic, somewhat hopeful ballad, but then moves through a darker tranquil passage before turning into a defiant heavy metal song. ‘Baryag’ also is epic heavy metal at its finest, bringing to mind the better moments of Maiden’s ‘Brave New World’. ‘Ubit Drakona’, on the other hand, has a more seventies hardrock feel, underlined by some subtle Hammond organ underneath the simple, but brutally effective riff work. ‘Ot Zakata Do Rassveta’ is another delightfully uncomplicated headbanger with a surprisingly aggressive vocal line by Zhinyakov in its chorus.

While it is tempting to call an album this long overlong, the songs speak for themselves. The semi-ballad ‘Dim Bez Ognya’ is slightly longer that it should be, but too good to be dismissed entirely. The title track is even the longest Aria song to date, but is a pretty convincing, doomy Maiden-esque track. What counts is that Aria continues its line of consistent heavy metal albums and plays with the energy of a band half their age. Heavy metal albums this good are pretty hard to come by this day and age and therefore, it is good that Aria is as reliable as ever. Even when they’re taking a few proggy detours that are as surprising as they are enjoyable.

Recommended tracks: ‘Gonka Za Slavoy’, ‘Ot Zakata Do Rassveta’, ‘Zhivoy’

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