Album of the Week 10-2019: Kipelov – Zhit Vopreki


Valery Kipelov’s name will forever be inextricably linked to the legendary Russian heavy metal band Aria, which he fronted until 2002. His current band, simply named Kipelov, is more than just a continuation of the Aria sound, however. In fact, Kipelov is much more in line with contemporary power metal, adding to the relevance of the band. Of the three studio albums the band has released so far, sophomore album ‘Zhit Vopreki’ is their best. There are many powerful riffs to be heard here and several German power metal bands could learn a songwriting lesson or two from the Russian quintet.

On ‘Zhit Vopreki’, Kipelov profits from having a well-oiled band. Predecessor ‘Reki Vremën’ was released six years earlier, but the band played a lot of live shows in the meantime and it is obvious that all the band members are on the same wavelength musically. Guitarists Andrey Golovanov and Vyacheslav Molchanov in particular are tight, sounding like a massive wall of guitars despite not being tuned too low or having an unusual amount of bass in their sound. Vocally, Valery Kipelov does not give the impression of being in his mid-fifties here, sounding as passionate and powerful as he ever has.

After a slightly theatrical intro, the title track shows the album’s mission statement and does it well. The song has a defiant, almost heroic atmosphere that should be synonymous with heavy metal. Uptempo, but not too fast is a common pace for Kipelov and really contributes to the power of the song, maximizing the impact of its incredible chorus. That tempo accounts for some of the album’s highlights, as evidenced by the following two tracks: the powerfully stomping ‘Blast Ognya’ and the catchy ‘Glamurnaya Ptitsa’. The lone truly fast track, ‘Etsë Povoyuyem’, almost pushes the band into speed metal territory surprisingly effectively.

However, what truly makes ‘Zhit Vopreki’ the best Kipelov album is the quality of its slower tracks. When the band slows down to an almost doomy, midtempo groove, the results are simply stunning here. ‘Bezumiye’ has a brooding, almost evil feel, but ‘Chërnaya Zvezda’ is a true highlight here. The riff work is relatively straightforward, but that is exactly what allows the song to be so atmospheric. In addition, the vocal arrangements are incredible; the dual harmonies are vaguely reminiscent of Alice In Chains, while the extra layer in the chorus is really powerful.  ‘Na Grani’ and especially the largely acoustic, profoundly dark ‘Dikhaniye Posledney Lyubvi’ are surprisingly excellent ballads as well.

Kipelov’s departure from Aria may have been a shock to the fan base when it happened, but in the long run, it all turned out for the best. Aria is still making great records with the fantastic Mikhail Zhitnyakov and Valery Kipelov is recording great albums in a style he, if ‘Zhit Vopreki’ is any proof, apparently feels more comfortable with. In addition, ‘Zhit Vopreki’ has aged very well. Nothing sounds dated, which can in part be accredited to the ballsy production, but in the end, it’s the songs that make it one of the best post-2010 power metal albums worldwide. Highly recommended to anyone who enjoys the likes of Morgana Lefay.

Recommended tracks: ‘Chërnaya Zvezda’, ‘Zhit Vopreki’, ‘Etsë Povoyuyem’

Massive thanks to Ruslania for helping me purchase the album.
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