Album of the Week 12-2019: Anthem – Nucleus


Some European label – Nuclear Blast, no less – finally has the balls to release Anthem’s music outside of Japan. Sure, the band needed a set of songs with English lyrics to accomplish an international record deal, but apart from the lyrics, Anthem was always easily one of the more European sounding of all Japanese metal bands. Their first international release ‘Nucleus’ is a collection of re-recorded songs from the last ten albums of the band. As a compilation and an introduction to the band, ‘Nucleus’ works remarkably well and even the transition to English feels suprisingly natural.

For those who don’t know: Anthem is one of the oldest heavy metal bands in Japan and still one of the best. Unlike many contemporary Japanese bands, Anthem does not dazzle you with displays of virtuosity, instead opting for ballsy, riffy metal that is actually heavy and uptempo, but not too fast. This band truly belongs alongside the likes of Accept and Judas Priest in any serious heavy metal collection. The spirited performances and excellent songwriting of the band make Anthem more than just a nostalgia act though. The fact that almost all of these songs have originally been recorded in the 21st century says enough.

Apart from the English lyrics and having Yukio Morikawa on lead vocals instead of original lead singer Eizo Sakamoto on some of these tracks, they really are not that much different from their original versions. I am quite happy that the keyboards have been pushed a little more to the background on tracks like ‘Black Empire’ and the goosebumps-inducing closer ‘Unbroken Sign’, allowing Akio Shimizu’s rhythm guitar to give the songs just a little more force. Producer and engineer Jens Bogren also makes the best out of Isamu Tamaru’s drums, which end up sounding modern, but not triggered to hell and back.

The song selection on ‘Nucleus’ is commendable as well. Sure, with a collection like this one, everyone misses a favorite, but Anthem really did a good job picking the songs that fit Morikawa’s voice best. There’s a few instances where I think Sakamoto did it better, but ‘Ghost In The Flame’, ‘Echoes In The Dark’, ‘Eternal Warrior’ and the aforementioned ‘Unbroken Sign’ almost appear to be written for Morikawa, while he wasn’t even in the band when they were originally released. The sequencing is done really well, as the album flows like a new studio record rather than a loose collection of songs.

It is good to see Anthem try their hand at conquering the European market almost four decades after bassist and main songwriter Naoto Shibata started the band. Everyone who enjoyed Accept’s post-reunion material will undoubtedly like ‘Nucleus’ as well, but in fact, every fan of traditional heavy metal should give the band a chance. High import prices are no excuse anymore. Anthem has more good riffs and memorable choruses than the average young power metal band and the rhythms are never less than extremely powerful. Hopefully this will not be their last European release.

Recommended tracks: ‘Immortal Bind’, ‘Unbroken Sign’, ‘Echoes In The Dark’

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