Posts Tagged ‘ Badmotorfinger ’

Album of the Week 18-2017: Soundgarden – Badmotorfinger


Along with Alice In Chains, Soundgarden is one of the very few bands from the early nineties Seattle scene that is actually appreciated among heavy metal audiences. The band’s third album ‘Badmotorfinger’ clearly shows why. The noisy punk leanings or mainstream ambitions that many of the band’s peers did have are absent here. Instead, ‘Badmotorfinger’ is full of heavy riff work reminiscent of Led Zeppelin and Black Sabbath and odd time signatures with ditto rhythms. And while the songs did streamline the band’s sound, it does so without sacrificing even the slightest bit of the Seattlites’ unique character and approach.

Compared to the album’s direct predecessor ‘Louder Than Love’, ‘Badmotorfinger’ sounds significantly more focused. The songs are harder-edged and while there is still a great deal of variation to be found on the record, the quartet doesn’t need quite as much time to get to the point here. However, the biggest improvement to be heard on ‘Badmotorfinger’ is in Chris Cornell’s voice. With this album and Temple Of The Dog’s sole release, 1991 prove to be the year that he transformed from a promising rock singer to a powerhouse vocalist with a massive range. Hardly anyone has come close since.

Ultimately, any of these improvements would be meaningless if the songs weren’t any good. Luckily, ‘Badmotorfinger’ is the most consistent set of songs Soundgarden has yet released. The band found a way to combine their love for odd measures with memorable melodies without having to alternate between those extremes. ‘Outshined’, for instance, feels like a catchy rock song despite its 7/4 meter and heavy riff and ‘Room A Thousand Years Wide’ is such a pleasant listen, that you hardly realize that the 6/4 rhythm that it’s built upon is quite unconventional. ‘Badmotorfinger’ is filled with such moments. It’s always a good thing when a band isn’t trying to be too clever with these things.

‘Slaves & Bulldozers’ is the ultimate proof of just how heavy Soundgarden could get: Kim Thayil and Chris Cornell pump out some crushing riffs, while the latter belts his heart out in the chorus. ‘Jesus Christ Pose’ has Matt Cameron’s incredible rhythms and the propulsive riff work pounding relentlessly underneath yet another amazing Cornell performance and opening track ‘Rusty Cage’ manages to be heavy and hypnotizing at the same time. ‘Holy Water’ is somewhat reminiscent of Alice In Chains and some songs are weirdly, but successfully decorated with horns. New bassist Ben Shepherd’s love for punk shines through the wonderfully aggressive ‘Face Pollution’.

Before ‘Badmotorfinger’, Soundgarden was a decent band that occasionally lost their way halfway through meandering songs. The increased focus did help the band a great deal, because ‘Badmotorfinger’ is easily one of the best records of its era. Terry Date’s production, which gave the band’s bottom end a not so subtle punch without damaging the clear highs, is another important factor in why the album sounds so good. And while its follow-up ‘Superunknown’ would definitively propel the band into stardom, ‘Badmotorfinger’ still stands as the bands ultimate artistic statement. One on which rock, metal, punk and pop melt into one irresistible whole.

Recommended tracks: ‘Slaves & Bulldozers’, ‘Rusty Cage’, ‘Jesus Christ Pose’

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