Posts Tagged ‘ Chewy ’

Album of the Week 38-2018: Voivod – The Wake


After ‘Target Earth’ being much better than it had any right to be and the excellent ‘Post Society’ EP, Canadian sci-fi thrashers Voivod had a reputation to live up to. They proved that they could still write a song that their late guitarist Denis ‘Piggy’ D’Amour would be proud of. But could they continue his legacy in a satisfying manner? Hearing ‘The Wake’ leaves only one possible answer to that question: a resounding yes. Most impressively, Voivod decided not to lean back and release ‘Target Earth II’, instead treating us to an album that pushes their progressive tendencies to the fore.

Just like on ‘Target Earth’, Dan ‘Chewy’ Mongrain plays so many twisted dissonant chords and almost fusion-esque melodies that it’s barely noticeable that D’Amour is no longer there. The riff work is notably less thrashy though; ‘The Wake’ opts for a somewhat more spacious sound and therefore feels like the natural successor to ‘Nothingface’ or ‘The Outer Limits’ rather than ‘Killing Technology’. Every song feels like a little adventure on an extraterrestrial planet where anything can happen, without ever sounding as chaotic or busy as many of the other bands of the Québécois metal scene, as Michel ‘Away’ Langevin’s rhythms are generally laid-back rather than hyper aggressive.

It is interesting to see how every song unfolds, as many songs open with a riff that will claw its way to your brain and once the verse-chorus structure is established, the band moves into more experimental territory with a section that almost feels like a particularly tight jam. ‘Iconspiracy’ is the most notable instance of this, which after appearing to be one of the more intensely propulsive tracks on the record moves into an almost cinematic b-section with a string quartet, followed by what is arguably Mongrain’s best solo on the record. ‘The End Of Dormancy’ follows a similar path, forsaking conventional structures for an approach that builds riff upon riff.

Because of this approach, it is more difficult to pick highlights than it was on ‘Target Earth’, as ‘The Wake’ is best listened to in its entirity. It is impossible not to mention closing track ‘Sonic Mycelium’ in that context, however. It never feels quite as long as its running time of twelve and a half minutes, though it has a number of interesting shifts in mood and intensity. The track reprises several musical ideas that appeared earlier on the album with a completely different atmosphere and just when you think the returning string quartet concludes the album in a ‘Grand Fugue’-like fashion, Mongrain and bassist Dominic ‘Rocky’ Laroche return for the open ending.

For a band to be truly progressive, they’d have to try out new things without completely alienating their sound. That is exactly what Voivod does on ‘The Wake’. In a way, it is to ‘Target Earth’ what the holy diptych of ‘Dimension Hatröss’ and ‘Nothingface’ was to ‘Killing Technology’. Those who did not like the band before will probably still be unimpressed by the almost spacey atmosphere and the relatively montonous vocals of Denis ‘Snake’ Belanger, but anyone who loved the progressive sci-fi thrash Voivod got buried under justified praise for should be happy with how remarkably and weirdly good ‘The Wake’ really is.

Recommended tracks: ‘Always Moving’, ‘Sonic Mycelium’, ‘Spherical Perspective’

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