Album of the Week 39-2019: Hatriot – From Days Unto Darkness
Will Hatriot ever lose the stigma of being the hobby band Steve ‘Zetro’ Souza from Exodus and his sons had? Time will have to tell, but if their third album ‘From Days Unto Darkness’ proves anything, it would be that the band is every bit as viable without Zetro. Hatriot’s riffs are better and have more of a bite than those of the average retro thrash band and as a whole, the album is a tad more consistent than sophomore record ‘Dawn Of The New Centurion’. It might just be the best thrash metal album of the year thus far.
Those critical of the band have always complained about the fact that Hatriot sounds exactly like modern Exodus. ‘From Days Unto Darkness’ will do nothing to change those people’s minds. Bassist Cody Souza took over the vocal position and manages to sound almost exactly like his father – save for the occasional growl or hardcore bark – and Kosta Varvatakis’ riffs still sound like Gary Holt on a Destruction binge. The question is whether that is a problem. Somehow, Hatriot does contemporary Exodus better than Exodus themselves. ‘From Days Unto Darkness’ is more engaging and consistent than any recent release of their elders.
If there is anything Hatriot deserves all the praise they can get for, it is the fact that they take the admittedly limited parameters of thrash metal and truly make the most out of it. The time feel changes in a track like ‘Organic Remains’ keep it from being locked in strict categories like “the groovy song” or “the brutal track”, instead opting for highly dynamic thrash songs that manage to stay engaging despite the constant onslaught of aggressive riffs going on. Varvatakis is quite creative in his riffs as well. Naturally, there is always a bit of low E-string chugging, but he is quite playful with the notes between those chugs.
Creating an interesting 50+ minute thrash album is not an easy feat, but Hatriot succeeds seemingly effortlessly. Standout tracks are hard to find due to the consistently high level of the record, but ‘Ethereal Nightmare’ definitely stole my heart immediately with the eerie guitar harmonies in its intro and the whirlwind of semi-technical, almost Forbidden-esque riffs that follows. Those craving a more brutal approach to thrash metal will probably be delighted by the likes of ‘Delete’ and ‘World, Flesh & Devil’. ‘One Less Hell’ is an excellent introductory track, while tracks like ‘Frankenstein Must Be Destroyed’ and ‘Daze Into Darkness’ pummel your ear drums relentlessly.
Hatriot is no longer Zetro’s band, but ‘From Days Unto Darkness’ proves that has very little effect on the band’s sound. Sure, the lyrics aren’t quite as clever this time around, but chances are you won’t even be paying attention to them until a couple of listens in. As long as Varvatakis keeps on writing these killer riffs, Hatriot is easily the best thing modern American thrash has to offer since the first two Bonded By Blood albums. The highly versatile drumming of Nick Souza is the band’s secret weapon and Juan Urteaga’s production adds both punch and sharpness to the guitars. If you like bands that sound like the ones mentioned in this review, ‘From Days Unto Darkness’ is a must-hear.
Recommended tracks: ‘Ethereal Nightmare’, ‘Organic Remains’, ‘World, Flesh & Devil’