Album of the Week 10-2023: Sigh – Shiki
Ask anyone to describe the sound of Japanese black metal pioneers Sigh and chances are “weird” is one of the first adjectives that comes up. From the beginning, the band around frontman Mirai Kawashima has combined extreme metal with more traditional heavy metal elements, psychedelic rock and avant-garde music to create something which is truly unique, but not always the easiest thing to listen to. Most of their previous album ‘Heir to Despair’ was downright excellent, however, and ‘Shiki’ might just be their best work yet. It is simultaneously a back to basics album and possibly Sigh’s most polished work yet.
Kawashima is pretty much the only musician from ‘Heir to Despair’ to appear on ‘Shiki’. Longtime drummer Junichi Harashima is still part of the band and bassist Satoshi Fujinami appears on one track, but most of the album has been recorded with Frédéric Leclercq (Kreator, ex-DragonForce) on guitar and bass, while Mike Heller (Fear Factory, Raven) recorded all the drums and percussion. Maybe it is because there is a set core of three musicians for each track, but Sigh sounds more focused on ‘Shiki’ than they have in a long time. Fortunately not without their trademark unpredictability, but Sigh has not been this band-centric in a while.
Getting into ‘Shiki’ is certainly helped by its incredible opener ‘Kuroi Kage’. A doomy monster of a track, ‘Kuroi Kage’ serves as a mission statement to let the listeners know that ‘Shiki’ is about in-your-face riffs first and foremost. Honestly, many of the riffs in the song would not have sounded out of place on a Candlemass album, but Kawashima’s raspy snarl and the percussion in the outro remind listeners that they are still dealing with an unconventional band. The following ‘Shoujahitsumetsu’ is a faster, borderline thrashy headbanger, ‘Shouku’ is a bit darker and more dynamic tempo-wise, while ‘Shikabane’ is straightforward and almost rock ‘n’ roll.
Naturally, this being Sigh, their trademark weirdness is never far away. ‘Satsui ~ Geshi no Ato’ starts out sounding like a fairly traditional heavy metal track with a handful of excellent melodic guitar themes, but culminates in a synth-heavy, almost dubby outro. ‘Fuyu ga Kuru’ is probably the most progressive song here, constantly shifting between heavy riffs and calm sections that somehow sound folky and spacey at the same time. Kawashima’s flute playing and the saxophones of his wife Dr. Mikannibal further enhance the song’s unique character. Oddest of the bunch is the psychedlic freak metal of closer ‘Mayonaka no Kaii’, which ends with a fantastic guitar solo by Leclercq.
While all the elements that make Sigh such a captivatingly strange band are present on ‘Shiki’, the album somehow succeeds at presenting them in a surprisingly accessible manner without losing anything that makes Sigh what they are. Anyone who was on the fence about their earlier works, but ultimately dismissed the band for being too strange should definitely give ‘Shiki’ a chance. ‘Kuroi Kage’ might just be the best song Sigh ever released and while time will have to tell if the rest of the songs are as good as the highlights of ‘Heir to Despair’ – Sigh is a band that needs time after all – it is impressive a band releases this much of a highlight so late in their career.
Recommended tracks: ‘Kuroi Kage’, ‘Satsui ~ Geshi no Aro’, ‘Shoujahitsumetsu’