For the white psychedelic Rock generation, Dr. John was the professor of New Orleans music history. His revolutionary ‘Gris-Gris’ (1968) and even moreso his record full of New Orleans traditionals ‘Dr. John’s Gumbo’ (1972) introduced a whole new generation of musicians not commonly associated with the town to the exuberant music and the mysterious rituals of The Crescent City. One of those – admittedly at a later time – was The Black Keys’ Dan Auerbach, who produced Dr. John’s 2012 masterpiece ‘Locked Down’ and plays guitar on it. The doctor himself sounds as convincing as always on this collection of dark, shimmering grooves and nocturnal melodies.
While Auerbach’s touch is quite distinct in the pseudo lo-fi production of the album, the brilliance of the material is very much a collaborative achievement of Dr. John and his backing band. Bassist Nick Movshon and drummer Max Weissenfeldt expertly lay down the earthy, low-key Funk grooves so typical of New Orleans’ rhythmical approach, although the percussion from several band members also contributes to that, and Dr. John’s electric keyboards top the whole thing off. Normally, I would complain about the lack of his unequaled piano playing, but the atmosphere of these compositions just begs for the direction he took for the album.
Between those instruments in the spectrum that is ‘Locked Down’, we find quite a lot of different approaches throughout the album. ‘Big Shot’ is relatively jazzy, with the horns and lingering rhythms pushing the song into fifties territory. ‘Revolution’ is also horn-driven, but much more aggressively funky in its beats. ‘Ice Age’ is carried by a haunting dual guitar harmony and the almost terrifying vocals of the doctor, where the opening title track is primarily built upon Funk riffs and rhythms. ‘Eleggua’ is wordless – but not instrumental – psychedelia and the Gospel track ‘God’s Sure Good’ closes the album in a surprisingly upbeat fashion, but makes perfect sense in context.
Although the album remains consistently impressive all the way through – all of the tracks are diamonds in the rough – there is one song that caught me completely off guard and that’s the subdued dream groove of ‘My Children, My Angels’. Its leading Rhodes piano riff strongly reminds me of my favorite Led Zeppelin song ‘No Quarter’, with which the song shares its darkness, and Dr. John proves that you don’t have to be Tom Jones in order to send shivers down someone’s spine by singing. Especially the somewhat uplifting – but once again in a subdued fashion – chorus. Simply breathtaking.
‘Locked Down’ rates along ‘Gris-Gris’, ‘Gumbo’ and ‘Goin’ Back To New Orleans’ as Dr. John’s masterpieces in a discography that is consistently amazing anyway. And with his carreer spanning over six decades (counting his early years backing other New Orleans greats), that is nothing short of an impressive achievement. Those who enjoyed the mysterious nocturnes of his debut album will most likely be captivated by this amazing record as well. And for any musician, this should be a lesson in groove.
Recommended tracks: ‘My Children, My Angels’, ‘Ice Age’, ‘Big Shot’