Posts Tagged ‘ Sugizo ’

Album of the Week 35-2018: Acid Black Cherry – Black List


Solo projects are an odd phenomenon. Technically, they could highlight a vision someone is not allowed to display in their main band, but they are often a disjointed mess. Acid Black Cherry’s debut album ‘Black List’ has all the symptoms of the latter – a rotating cast of musicians, a wide range of styles – but ends up being much closer to the former. The strict direction of main man and sole songwriter yasu keeps the whole thing from spiraling out of control. Realizing the importance of the first strike, ‘Black List’ is a minor J-rock classic and likely yasu’s best work yet.

In essence, the music on ‘Black List’ is not as far removed from yasu’s former band Janne Da Arc as one might expect. The differences are almost cosmetic rather than fundamental. On ‘Black List’, Acid Black Cherry is somewhat heavier and considerably more theatrical than Janne was, but the focus is still mainly on highly melodic rock songs with instantly hummable choruses, energetic but not too complicated riff work and a strategic use of light-and-shade workings. The approach is not too dissimilar to what Gackt has been doing for the last decade, but notably less predictable and therefore better.

While it would be easy to blame the immense artistic value of ‘Black List’ on the contributions of big names in J-rock – including Luna Sea’s Sugizo, La’cryma Christi’s Shuse and Siam Shade’s Daita and Jun-ji – the truth is that yasu’s songwriting and arrangements are simply really good. Arrangements are worth mentioning, because it’s exactly the fantastic use of keyboards and strings that adds some class to the surprisingly dark, menacing nature of the fanatastic opener ‘Sins’ and the bass and horn arrangements that lend an authentic jazzy edge to the manic ‘Black Cherry’, as wildly as it rocks most of the time.

On ‘Black List’, the genre-hopping is its forte rather than its flaw. The dark, dangerous vibe that made me love ‘Sins’ so much is revived on ‘Murder License’, while ‘Bit Stupid’ is an infectious, breezy and funky pop rocker. ‘Fuyu No Maboroshi’ is a particularly theatrical ballad, while ‘Shojo No Inori’ is a fun melodic hardrocker that would not have sounded out of place on one of Janne Da Arc’s later albums. Occasionally yasu’s particularly light and thin voice is a little grating, but overall, it’s remarkable how well it works on the harder rocking tracks on ‘Black List’.

Despite releasing more quality material throughout the years, Acid Black Cherry would never again release an album as good as ‘Black List’. Some serious overproduction drags most of their albums down, though none of the original albums is less than enjoyable. Though a lot of effort has gone into the production and arrangements of ‘Black List’, this album truly is enhanced by the effort. There is a bit of a risk that western rock fans might find yasu’s voice a little off-putting, but the fact remains that ‘Black List’ is a fantastic album. It even sounds like one rather than a loose collection of songs. That alone is already rather impressive within the J-rock realm.

Recommended tracks: ‘Sins’, ‘Shojo No Inori’, ‘Murder License’

Album of the Week 25-2014: Luna Sea – Image


Nothing about reviewing Luna Sea is more difficult than describing their style. Sure, their music fits the Rock idiom, but their guitar sound is too clean to call them a Hard Rock band, the song structures are too progressive and their playing too technically demanding for Punk, Ryuichi’s vocals have an undeniable Japanese Pop flair and while the New Wave and Post Punk influences are apparent, the rhythms tend to rock a little too hard for that category as well. Whatever you choose to call this though, it is good music characterized by strong melodies and a wide range of moods and atmosphere.

What helps is that Luna Sea has three good songwriters with equal input in the band. Bassist J’s compositions are probably least alien to western ears due to his obvious fascination with the American alternative scene, while rhythm guitarist Inoran’s works often have a Balkan-like flavor due to his extensive use of accented chords on the afterbeat. Lead guitarist and violinist Sugizo has a somewhat more experimental approach, generally resulting in the more progressive songs of the quintet. These aren’t strict divisions though; ocassionally the approaches mix with great results.

More importantly, ‘Image’ is full of moments where the amazing songwriting and fantastic performances complement each other. Opening track ‘Déjàvu’, for instance, has quite a light Rock feel with breezy melodies, but they still get their power from the rhythm section, particlarly Shinya’s solid drumming. Not many bands succeed in marrying the melodic sensibilities of Pop with the brute force of Rock, but Luna Sea does just that seemingly effortlessly all throughout the album.

Highlighting the album is probably its fantastic title track. With the ideal merger of Inoran’s acoustic and Sugizo’s electric guitars, the fantastic bass parts courtesy of J and Ryuichi’s vocals mainly staying in their lower, soothing register, this song has something of a Japanese Billy Idol-vibe, although Idol’s rebellious vibe is traded for dreamy melancholy. It’s hard not to get carried away. Another masterpiece is the progressive ‘Search For Reason’, where heavier sections lead by an oddly timed Black Sabbath-ish riff alternate with calmer, haunting passages. Once again: brilliantly written, expertly executed. There’s a little something for everyone here though; ‘Moon’ is for the dreamers, ‘Symptom’ for the violent and ‘Wish’ for those who need to be cheered up.

All this, combined with its fantastic production, makes ‘Image’ a must for everyone who likes good Rock music. Also, with Luna Sea being a household name of Japan’s famed Visual Kei scene – though they later prove to take the musical side of it more seriously by ditching most of their visual attire – all of the artwork looks nothing short of fantastic. It’s the last piece to make this perfect as a total product. Luna Sea’s music may sound bit strange upon first listen, because it’s hard to categorize, but once it makes sense, mastepieces like ‘Image’ and 1994’s ‘Mother’ are likely to return to your music player on a regular basis.

Recommended tracks: ‘Image’, ‘Search For Reason’, ‘Déjàvu’, ‘Mechanical Dance’